Net Neutrality Roundup: Alternate Internets

Now that we are facing net neutrality regulation rollbacks here in the United States, what new roles could librarians play in the continued struggle to provide people with unrestricted access to information?  ALA has long been dedicated to equal access to information, as clearly outlined in both the Core Values and Code of Ethics. You can read ALA’s Joint Letter to the FCC here. It emphasizes that “a non-neutral net, in which commercial providers can pay for enhanced transmission that libraries and higher education cannot afford, endangers our institutions’ ability to meet our educational mission.”

Net neutrality was discussed back in 2014 on this blog, with Margaret Heller’s post entitled “What Should Academic Librarians Know about Net Neutrality?” We recommend you start there for some background on the legal issues around net neutrality. It includes a fun trip into the physical spaces our content traverses through to get onto our screens. One of the conclusions of that post was that libraries need to work on ensuring that everyone has access to broadband networks to begin with, and that more varied access ensures that no company has a monopoly over internet service in a location. There have been a number of projects along these lines over the past decade and more, and we encourage you to find one in your area and get involved.

Library-based initiatives

Equal access to information starts with having access at all. Several libraries have kicked off initiatives in activities like loaning out wi-fi hotspots for several-month periods in New York City, Brooklyn, and Chicago.

Ideally everyone will have secure and private internet access.The Library Freedom Project has been working for years to protect the privacy of patrons, including educating librarians about the threat of surveillance in modern digital technology, working with Tor Project to configure Tor exit relays in library systems, and creating educational resources for teaching patrons about privacy.

These are some excellent steps towards a more democratic and equal access to information, but what happens if the internet as we know it fundamentally changes? Let’s explore some “alternative internets” that rely on municipal and/or grassroots solutions.

Mesh networks

You might be familiar with wireless mesh networks for home use. You can set up a wireless mesh network in your own house to ensure even coverage across the house. Since each node can cover a certain part of your house, you don’t have to rely on how close you are to the wireless router to connect. You can also change the network around easily as your needs change.

Mesh networks are dynamically routed networks that exchange routes, internet, local networks, and neighbors. They can be wireless or wired. Mesh networks may not be purely a “mesh” but rather a combination of “mesh network” technology as well as “point to point” linking, with connections directly linking to each other, and each of these connections expanding out to their local mesh networks. BMX6/BMX7, BATMAN, and Babel are some of the most popular network protocols (with highly memorable names!) for achieving a broad mesh network, but there are many more. Just as you can install devices in your home, you can cooperate with others in your community or region to create your own network. The LibreMesh project is an example of a way in which DIY wireless networks are being created in several European countries.

Municipal networks

Nineteen towns in Colorado are exploring alternate internet solutions, like a public alternative. Chattanooga offers public gigabit internet speeds. This has some major advantages for the city, including the ability to offer free internet access to low-income residents and ensure that anyone who pays for access gets the same level of access, which is not the case in most cities where some areas pay a high cost for a low signal. Even just the presence and availability of municipal broadband, “has radically altered the way local politicians and many ordinary Chattanoogans conceive of the Internet. They have come to think of it as a right rather than a luxury.”1 A similar initiative in Roanoke is the Roanoke Valley Broadband Authority, which in an interesting twist lobbied the Virginia legislature to reduce oversight of its activities in a bill that originally specifically stated that broadband services should focus on underserved areas–so a reminder that in many ways municipalities view this as an investment in business rather than a social justice issue. 2 In Detroit, the Detroit Community Technology Project is working to set up and bring community wireless to neighborhoods in Detroit. New York City‘s Red Hook neighborhood relied on their mesh network during Hurricane Sandy to stay connected to outside of New York. New York City also has the rapidly-growing NYC Mesh community with two supernodes and another coming later this year, uniting lower Manhattan with Northern and Central Brooklyn. Toronto also has an emerging mesh community with a handful of connected nodes. The Urbana-Champaign Independent Media Center developed CUWiN, which provided open wireless networks in “Champaign-Urbana, Homer, Illinois, tribal lands of the Mesa Grande Reservation, and the townships of South Africa”. 3

Outside of North America, Berlin has its own mesh networked, called Freifunk. Austria has Funkfeuer. Greece has the Athens Wireless Metropolitan Network. Italy has Ninux and Argentina has AlterMundi. Villages in rural northern England are joining together to get connected via a cooperative model called B4RN, where they dig their own trenches for cables using their farm tractors.

Thinking big

Guifi.net is a wi-fi network that covers a large part of Spain and defines itself as “the biggest free, open and neutral network.” It was developed in 2004 as a response to the lack of broadband Internet, where commercial Internet providers weren’t providing a connection or a very poor one in rural areas of the Catalonia region. Guifi has established a Wireless Commons License as guidelines that can be adopted by other networks. At time of posting, 34,306 nodes were active, with over 17,000 planned.

Finally, Brooklyn Public Library was granted $50,000 from IMLS to develop a mesh network and called BKLYN Link, along with a technology fellowship program for 18-24 year olds. Looking forward to what emerges from this initiative!

Conclusion

The internet was started when college campuses connected to each other across first short geographic areas and eventually much longer distances. Could we see academic and public libraries working together and leading the return to old ways of accessing the internet for a new era?

Meanwhile, it’s important to ensure that the FCC has appropriate regulatory powers over ISPs, otherwise we have no recourse if companies choose to prioritize packets. You should contact your legislators and make sure that the people at your campus who work with the government are sharing their perspectives as well. You can get some help with a letter to Congress from ALA.

Memory Labs and audiovisual digitization workflows with Lorena Ramírez-López

Hello! I’m Ashley Blewer, and I’ve recently joined the ACRL TechConnect blogging team. For my first post, I wanted to interview Lorena Ramírez-López. Lorena is working (among other places) at the D.C. Public Library on their Memory Lab initiative, which we will discuss below. Although this upcoming project targets public libraries, Lorena has a history of dedication to providing open technical workflows and documentation to support any library’s mission to set up similar “digitization stations.”

Hi Lorena! Can you please introduce yourself?

Hi! I’m Lorena Ramírez-López. I am a born and raised New Yorker from Queens. I went to New York University for Cinema Studies and Spanish where I did an honors thesis on Paraguayan cinema in regards to sound theory. I continued my education at NYU and graduated from the Moving Image Archiving and Preservation program where I concentrated on video and digital preservation. I was one of the National Digital Stewardship Residents for the American Archive of Public Broadcasting. I did my residency at Howard University television station (WHUT) in Washington D.C from 2016 until this June 2017. Along with being the project manager for the Memory Lab Network, I do contracting work for the National Portrait Gallery on their time based media artworks, joined the Women who Code community, and teach Spanish at Fluent City!

 

Tell us a little bit about DCPL’s Memory Lab and your role in it.

The DC Public Library’s Memory Lab was a National Digital Stewardship Project back in 2014 through 2015. This was the baby of DCPL’s National Digital Stewardship Resident, Jaime Mears, back in the day. A lot of my knowledge on how it started comes from reading the original project proposal, which you can find that on the Library of Congress’s website as well as Jaime Mear’s final report on the Memory Lab is found on the DC Library website. But to summarize its origin story, the Memory Lab was created as a local response to the fact that communities are generating a lot of digital content while still keeping many of their physical materials like VHS, miniDVs, and photos but might not necessarily have the equipment or knowledge to preserve their content. It has been widely accepted in the archival and preservation fields that we have an approximate 15- to 20-year window of opportunity to digitally preserve legacy audio and video recordings on magnetic tape because of the rate of degradation and the obsolescence of playback equipment. The term “video at risk” might ring a bell to some people. There’s also photographs and film, particularly color slides and negatives and moving image film formats, that will also fade and degrade over time. People want to save their memories as well as share them on a digital platform.

There are well-established best practices for digital preservation in archival practice, but these guidelines and documentation are generally written for a professional audience. And while there are a various personal digital archiving resources for a public audience, they aren’t really easy to find on the web and a lot of these resources aren’t updated to reflect the changes in our technology, software, and habits.

That being the case, our communities risk massive loss of history and culture! And to quote Gabriela Redwine’s Digital Preservation Coalition report,  “personal digital archives are important not just because of their potential value to future scholars, but because they are important to the people who created them.”

So the Memory Lab was the library’s local response in the Washington D.C. area to bridge this gap of digital archiving knowledge and provide the tools and resources for library patrons to personally digitize their own personal content.

My role is maintaining this memory lab (digitization rack). When hardware gets worn down or breaks, I fix it. When software for our computers upgrade to newer systems, I update our workflows.

I am currently re-doing the website to reflect the new wiring I did and updating the instructions with more explanations and images. You can expect gifs!

 

You recently received funding from IMLS to create a Memory Lab Network. Can you tell us more about that?

Yes! The DC Public Library in partnership with the Public Library Association received a national leadership grant to expand the memory lab model.

During this project, the Memory Lab Network will partner with seven public libraries across the United States. Our partners will receive training, mentoring, and financial support to develop their own memory lab as well as programs for their library patrons and community to digitize and preserve their personal and family collections. A lot of focus is put on the digitization rack, mostly because it’s cool, but the memory lab model is not just creating a digitization rack. It’s also developing classes and online resources for the community to understand that digital preservation doesn’t just end with digitizing analog formats.

By creating these memory labs, these libraries will help bridge the digital preservation divide between the professional archival community and the public community. But first we have to train and help the libraries set up the memory lab, which is why we are providing travel grants to Washington, D.C. for an in-depth digital preservation bootcamp and training for these seven partners.

If anyone wants to read the proposal, the Institute of Museum and Library Sciences has it here.

 

What are the goals of the Memory Lab Network, and how do you see this making an impact on the overall library field (outside of just the selected libraries)?

One of the main goals is to see how well the memory lab model holds up. The memory lab was a local response to a need but it was meant to be replicated. This funding is our chance to see how we can adapt and improve the memory lab model for other public libraries and not just our own urban library in Washington D.C.

There are actually many institutions and organizations that have digitization stations and/or the knowledge and resources, but we just don’t realize who they are. Sometimes it feels like we keep reinventing the wheel with digital preservation. There are plenty of websites that had contemporary information on digital preservation and links to articles and other explanations at one time. Then those websites weren’t sustained and remained stagnant while housing a series of broken links and lost PDFs. We could (and should) be better of not just creating new resources, but updating the ones we have.

The reasons why some organization aren’t transparent or updating the information, or why we aren’t searching in certain areas, varies, but we should be better at documenting and sharing our information to our archival and public communities. This is why the other goal is to create a network to better communicate and share.

 

What advice do you have for librarians thinking of setting up their own digitization stations? How can someone learn more about aspects of audiovisual preservation on the job?

If you are thinking of setting up your own digitization station, announce that not only to your local community but also the larger archival community. Tell us about this amazing adventure you’re about to tackle. Let us know if you need help! Circulate and cite that article you thought was super helpful. Try to communicate not only your successes but also your problems and failures.

We need to be better at documenting and sharing what we’re doing, especially when dealing with how to handle and repair playback decks for magnetic media. Besides the fact that the companies just stopped supporting this equipment, a lot of this information on how to support and repair equipment could have been shared or passed down by really knowledge experts, but it wasn’t. Now we’re all holding our breath and pulling our hair out because this one dude who repairs U-matic tapes is thinking about retiring. This lack of information and communication shouldn’t be the case in our environment when we can email and call.

We tend to freak out about audiovisual preservation because we see how other professional institutions set up their workflows and the amount of equipment they have. The great advantage libraries have is that not only can they act practically with their resources but also they have the best type of feedback to learn from: library patrons. We’re creating these memory lab models for the general public so getting practical experience, feedback, and concerns are great ways to learn more on what aspects of audiovisual preservation really need to be fleshed out and researched.

And for fun, try creating and archiving your own audiovisual media! You technically already do with taking photos and videos on your phone. Getting to know your equipment and where your media goes is very helpful.

 

Thanks very much, Lorena!

For more information on how to set up a “digitization station” at your library, I recommend Dorothea Salo’s robust website detailing how to build an “audio/video or digital data rescue kit”, available here.